SOURCE: USA Today
DATE: November 3, 2009
WRITTEN BY: Gary Levin
EXCERPTS:
Morena Baccarin on Working With Greenscreen: "You feel like you're floating a little bit, It gives you a headache after a while, staring at that green."
Scott Peters On Appeal of Concept: "There's a lot of bad news out there and it's really depressing. I thought it was a tremendous wish-fulfillment fantasy, if there was some deity that said, 'Look around, everything's going wrong, and we're going to fix it for you.' There's a lemming mentality that goes on in our humanity, and the idea of blind devotion, to me, is really fascinating. If you don't ask questions about things you have faith in, it could wind up coming back to bite you."
USA Today on the Production Shutdowns: "The pilot was well-received by advertisers and critics, but ABC's late-summer decision to start the show two months earlier than planned — in part to dodge American Idol and the broadcast of the Winter Olympics, also in Vancouver — led to script problems, which forced reshoots and a five-week production break. The first of three planned story arcs was condensed from six to four fall episodes. And the show will test viewers' loyalty with a three-month hiatus; remaining episodes won't surface until March.... In a response to the show's production problems, Peters (USA Network's The 4400) was replaced at the helm of the show by Scott Rosenbaum (Chuck, The Shield), though he is expected to stay aboard as an executive producer. 'We had a great pilot, then a couple of great episodes, but we had a disconnect on where we were going from there," says ABC Entertainment Group chief Stephen McPherson. Though no stranger to tinkering (he made extensive changes to the original Grey's Anatomy pilot), 'I hadn't had the experience of that before.' But McPherson accepts 'a little blame for rushing them.'"
Elizabeth Mitchell on the Reshoots: "They heightened it, they took it up. The idea is to make it a movie, something where we are on the edge of our seats, wondering what's going to happen."
Morena Baccarin on Anna: "I don't want to go into the land of melodrama and evil and mustache-twirling. I have to be threatening but at the same time nurturing and nice. There's something so dynamic, scary, sexy, smart; everything about her is a challenge."
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